Technics has been trying to crack the true wireless market for years, with the EAH-AZ100 they’ve succeeded in grand style

They are a fantastic all-round effort, that in some ways are better than the likes of the Sony WF-1000XM5 and Bose QuietComfort Ultra Earbuds.

Where they best those two earphones is with its call quality, with the AZ100 latching onto your voice and blocking out all the sounds around you.

It’s the best call quality we’ve experience on a true wireless so far.

The sound is not too shabby either. It’s rich but detailed, with a better bass performance than the AZ80 model and a more dynamic and musical presentation.

The soundstage is wide, highs are clearl, the midrange is detailed while bass has depth. These are the best-sounding true wireless from Technics yet, and one of the best on the market too.

The battery life depends on the mode you’re listening to the earphones in. We found that in the AAC mode, they can last for a long time, but with LDAC we managed to get less than six hours from the battery.

The Bluetooth performance is mostly strong, though we found that in busy areas the signal can get very choppy. They do boast Bluetooth multipoint, which allows them to connect to three devices at once.

The noise-cancellation is as good as Bose, stripping away most of the sounds around us for a quiet performance whether we were on a plane, a bus on the London Undergound.

The transparency mode is strong too, though we don’t find it to be as clear as the one on the Bose QuietComfort Ultra Earbuds.

With lots of features, excellent sound and noise-cancellation, the Technics AZ100 are the true wireless earphones to beat.

The WF-1000XM4 were our favourite wireless earbuds with their blend of terrific sound, wide feature set and excellent noise cancellation, but they have since been usurped by Sony’s own WF-1000XM5.

They build on what the XM4 delivered with further tweaks and refinements. The design is smaller and lighter, taking inspiration from Sony’s LinkBuds series. They come with an extra ear-tip size to accommodate different ear sizes.

The noise-cancelling performance is an improvement over the WF-1000XM4, suppressing voices and ambient noise better and more naturally. We would say that the Bose QuietComfort Ultra Earbuds are better, but the difference between them is small rather than big.

The transparency mode is clear and detailed, although we find the WF-1000XM4 slightly clearer to our ears.

Battery life hasn’t changed with the XM5 offering eight hours per charge and 24 in total with ANC enabled.

Wireless performance is solid in both AAC and LDAC playback modes, and the WF-1000XM5 comes bundled with an array features such as Speak-to-Chat (that pauses music when you’re talking to someone else), as well as improvements to Ambient Smart Control (which personalises your audio experience automatically), that make these earphones one of the most smartest and convenient wireless earbuds you can buy.

Call quality is decent but we found the performance a little odd. It has a tendency to leak background noise in whenever we spoke but be silent when we weren’t. If you’re an iOS user, you’d be better served by the AirPods Pro 2.

The sound quality is a big improvement, offering more detail, clarity, and sharpness. The midrange brings wiht it a finer sense of detail, although the bass isn’t as big as the WF-1000XM4, however we prefer the balance on this model. Higher frequencies get a boost too, with more sharpness and clarity.

While the Sony WF-1000XM5 are still our favourite true wireless earbuds , but when it comes to the best noise-cancelling earbuds we recommend that you choose Bose.

The Bose QuietComfort Earbuds were, as were the QuietComfort Earbuds II are the QuietComfort Ultra Earbuds maintain that high level of excellence.

The noise-cancellation performance here is as good as you’ll find. Whatever external sounds you come across, the QuietComfort Ultra Earbuds lays waste to them.

Not every sound is removed but we’re not far from off from total silence. Improvements include reducing the noise of people’s voices, and walking in and around London, there was a wonderful sense of calm and isolation.

The wind noise that was an issue when we first reviewed appears to have gone. And the Aware mode is just as good as the noise-cancellation, piping in a clear, detailed, and natural sound that’s almost as if you’re not even wearing a pair of earphones.

Bose’s ActiveSense technology works similarly to the AirPods Pro 2‘s transparency mode, automatically reducing background noises when the buds are in Aware mode to stop the wearer from being startled by sudden, loud sounds. We found this worked very well on the London Underground.

When it comes to features, the QuietComfort Ultra Earbuds don’t have as many as Sony, but we are pleased to see a three-band EQ to customise the sound. The wireless connection is excellent with barely a hint of a drop noted when walking around London, and battery is competitive with Sony, with 24 hours in total.

Sound quality is improved from the original too, maintaining its neutrality with the top end of the frequency range brighter on this model and bass is bigger and punchier than before.

Vocals carries slightly more weight too, and there’s a better sense of depth with this one than we can recall with the original.

Call quality isn’t the best and in that sense you can get a better performance from the Technics AZ100.

There aren’t many Apple in-earphones to choose from, and we’ve never been fond of the cheap wired Earphones options that use to come with iPhones. The AirPods line-up are the only show in town, and out of the current range the AirPods Pro 2 are the best there is.

Compared to the AirPods 3, there are improvements all-round in terms of the design, sound and feature set. The most obvious distinction between the two is the addition of active noise cancellation, where the AirPods feature an open-design which means they let surrounding sounds in, which can lead to your music sessions being disrupted.

The AirPods Pro 2 have had a major upgrade in ANC over the original. As our reviewer commented that they cleared away slightly more noise when used on the underground than the Sony WF-1000XM4. We still find it annoying that there’s no way to manually adjust the noise cancelling or transparency mode, as both automatically adapt their performance to what’s around the listener.

There is a welcome boost to battery life, with 6 hours in the earbuds and 30 in the case. The charging case also comes with some handy new features, including a lanyard loop for a wrist strap or to attach the AirPods to a bag, as well as a speaker for Find My and charging alerts.

As with the Pros, the Pro 2 come with silicone ear tips instead of the hard plastic tips found on the AirPods 3, offering a more secure fit. This time there’s also an extra small size tip for smaller ears.

The audio quality we found to be impressive, too. The Pro 2 have a full and rich sound, with the H2 powering a performance that offers more clarity and detail with the vocals.

As with every pair of AirPods we’ve tested, iOS integration is excellent. Multi-device switching means that pairing with one Apple device will allow you to connect to your other Apple phones, laptops and tablets. If you’re already invested in the Apple ecosystem, these are the in-earphones to get for the best experience.

As an alternative, the AirPods 4 with ANC have an open-design with some noise-cancellation sprinkled in. For those who don’t like the discomfort in-ears can produce, you may prefer Apple’s less expensive earphones.

The Andromeda earphones are one of Campfire Audio’s most popular models. Since we reviewed the 2019 Classic version, there’s been a 2020 version, and now there’s the Andromeda Emerald Sea.

The Emerald Sea is not as brash as its predecessor, offering a better balanced across the frequency range in terms of highs, midrange, and lows.

It’s still an energetic, dynamic, and propulsive listen across a range of genres, the warmth it treats music to gives it an enjoyable performance. These aren’t in-earphones that need much encouragement to go loud, but broad, wide soundstage and the way it places and positions voices and instruments within it, makes for an immersive sound.

It can sound fatiguing at higher volume levels, and it’s worth considering which sources this in-ear monitor is paired with as it can affect the performance. We found it sounded clearer and sharper when matched with the Astell & Kern SR35 than the FiiO M15s portable music player.

The build quality is excellent, the housing derived from a 3D printed shape that fits snugly in the ear. They’re comfortable to wear although we’d suggest not wearing for hours upon hours. They can start to make the wearer aware of their presence after about an hour. It’s worth breaking up listening sessions every now and then.

They also come in an attractive packaging with various cases, a certificate or purchase and a wooden box to keep them safe (or adorn on your mantelpiece). They also come with a selection of ‘Time Stream’ cables that terminate in 3.5mm unbalanced and 2.5mm and 4.4mm balanced options, giving you the option of how you want connect to a player/hi-fi equipment.

While they’ve gone up in price to £1499 / $1499, if you can afford them we’ve found them to be nothing but enjoyable over the course of listening to them.

From the Campfire Andromeda to the Final E500, we go from one end of the price spectrum to the another. At $25 / £19.99, the E500 in-ears are as inexpensive as you can get for a pair of wired in-ears.

At that price we’re not expecting much flash in the design, and that’s confirmed upon looking at the E500.

These aren’t of the calibre of Final’s more expensive Sonorous headphone range, though our reviewer felt the in-ears carried a more robust build quality than the freebie earphones that come packaged with smartphones, with the attached 1.2m cable felt heftier and more robust. At 15g they’re lightweight, good enough to wear for hours at a time without causing any consternation.

As you’d expect for a pair of wired earphones there’s not much on the feature front. However, the E500 does come with a supply of various silicone and/or foam ear tips to find the right fit, and boast the same 6.4mm small aperture dynamic driver that can be found in all of Final’s E-series in-ears, which cost much more than the E500.

On the sound front we found the E500 lacked a degree of bass control, though the low end is nicely textured and is provided with good detail. Another area where they are lacking was in creating the sense of three-dimensionality in its stereo image, along with a sense of dynamism to its performance.

But these are a £19.99 pair of in-earphones after all, and for that price they are streets ahead of other similarly priced alternatives, pitching a confident, musical listen with an even-handed approach to the frequency range that doesn’t over- or understate highs, mids and lows.

We found them to be a spacious performer, displaying a good sense of timing across the frequency range to elicits a coherent and satisfying sound. If you want better, you’ll need to spend more to get an in-ear from SoundMagic.